“I hope it wasn’t a massive hassle for you to come a week later… I’m sorry if it was… it fucking was for us!” Miki from shoegaze pioneers Lush at The Warfield in San Francisco on Sunday night, for their show that was rescheduled from the week before due to visa issues coming to the U.S. for Coachella and a handful of headlining shows California, the Pacific Northwest and Vancouver. The band just released their first new music in 20 years, EP Blind Spot, this month, and their sprawling set list of music new and old kept the packed crown transfixed on the stage for the duration of the show. Best known as “a 90s band”, music of that era is being rediscovered of late and it was awesome to see the band come back to the music scene to begin again in a different era. Prior to recent months (including an appearance at Coachella), the band last performed way back in 1996. You wouldn’t know it from their show, as they appeared relaxed, comfortable, and happy to play in front of their fans.
“Fuck you, Greg! Just kidding!” What the audience playfully shouted at Inara George of The Bird And The Bee (on cue and at her direction) as she recorded video of the crowd with a borrowed phone, to share with the other half of their duo who is not joining her on this short, rare tour hitting just four cities in the U.S. (Pasadena, San Francisco, Chicago, and Minneapolis). Supporting their first all-original album since 2009 with the newly released Recreational Love, that crowd has certainly been waiting with great anticipation to see the act, in whole or part, for the better part of five years (in which time just a handful of dates have been played). The packed collection of fans at Social Hall SF in San Francisco (just below and part of Goldenvoice’s Regency Ballroom) was not disappointed, as Inara George and her band played through The Bird And The Bee favorites, old and new. Going by the quality and energy of the show, you wouldn’t know that live shows are not something that they do continuously, as it was a brilliant concert and the unique studio sound was recreated faithfully and, of course, at the heart of it all were Inara’s unique vocals. Definitely worth turning out for one of these rare shows, and short of that, checking out the new album, which takes them in a new direction while retaining that unique distinct, singular, signature sound. [Read more…]
“When I grow too old to dream, remember me…” Morrissey, though frequently employing an economy of words on stage, always has something interesting to say. Over the past few years, he has seemed a bit preoccupied with the darker themes of mortality and retiring from live performances. And given his track record prior to this tour just completed, it has made those shows that do come together that much more magical, as it can all feel rare and fleeting. With the concert at The Event Center at San Jose State University on Saturday night, things seemed to come together quite perfectly (apart from the fact that Amanda Palmer sadly had to cancel her supporting set due to medical issues). Morrissey seemed to be in a great and (for him anyway) chatty mood to boot. The audience was stellar. All in all, it was a fantastic show with a captivating set list and a few surprises as well. I think this is the first time I’ve seen Morrissey in the past few years in which he seems really both at ease and dare I say kind of joyous on stage. It’s as if he’s found a new path forward, surrounded by great fellow musicians who can create a show for themselves as much as for the audience. As one of my all-time favorite artists, it’s certainly motivated me to continue to turn out for any of his shows that I can. There is always an element of excitement in the air as well as an overwhelming feeling of authenticity. He is one of a handful of artists that can still give me that chill down my spine and make me feel like I am witnessing something genuine and important. [Read more…]
Morrissey and his 2015 tour will be coming to the Event Center at San Jose State University on July 25th, with special guest Amanda Palmer. Some health issues led to premature cancellations of tours in recent years, but thus far things seem to be going quite favorably with this current set of dates, which kicked off last month. It will all wrap up next Saturday. Tickets for the Goldenvoice show are still available at www.Ticketmaster.com. [Read more…]
“If I was rich, I’d live here…” The modest Georgia Nott, chatting in-between songs about the beautiful houses she’d seen in San Francisco earlier in the day, at their sold out show at The Regency Ballroom Saturday night. It was a big step up in size from the shows I’d attended last year. Accompanied as always with her brother Caleb and touring drummer Joel Farland, it was indeed a much bigger stage this time around, which they filled with ease with their authentic set of fantastic pop music fueled by incredible melodies and heartfelt, thoughtful lyrics (and of course those soaring vocals!). Dubbed “The Evergreen Tour”, they are supporting their solid debut album released last year (which I ranked in my own Top Ten Albums of 2014). The kiwi duo are so young that I’m really excited to continue to follow them to see where their gifts take them next. I expect checking in on them in 2016, we will see them take on even larger stages and venues. One of the best new artists of this era, and they put on a fantastic live show – my highest recommendation.
2013 is maybe the best year since the early 90s to be a Pixies fan. Interestingly, having been in attendance now at the first two of three consecutive shows this week at El Rey Theatre in Los Angeles (and a fourth coming right after at the Mayan Theatre), the crowd overall skewed very young, which really underscores my long held belief that the Pixies were way, way, way ahead of their time, and also had bad timing (maybe in an alternate universe they could have had Nirvana-sized mainstream success). In any event, as I’ve often referenced in countless articles here on the Rock Subculture Journal, the Pixies are solid in my Top Three favorite artists of all time. Before going into recent and ancient history, the big question those reading this are probably wondering is, ‘how were these shows?‘ The short answer is, absolutely phenomenal. Everything one could hope for in a Pixies concert has been present in Night 1 and Night 2. With their new touring efforts and new music (music that is on par with their classic material), it is an awesome time to be into the Pixies, whether you were around back in the day or not. A time to celebrate, and the band and the fans all brought the party to El Rey Theatre this week.
“Tonight what you see is a very, very, very stripped, stripped version of what it is that we do on a nightly basis…” OneRepublic’s show at Mountain Winery in Saratoga Sunday night was one of those very rare shows that surprised me (in a good way) on all counts. It was my first time seeing the band live, who are touring their latest studio album, Native (more on that later, also in a good way). Since it was such a different show from the norm, I can’t really account for what is different, though I suspect it was much more acoustic-driven than their typical set, though both approaches certainly do justice to their material. One thing that was apparent is that the group is made up of musicians at heart, and perfectionists in recreating their music on stage in a very real way. Their crew quite masterfully swapped out instruments (large on small) on stage in-between each song, helping to create a very memorable night that was a tapestry of the great music that OneRepublic has created. They sounded phenomenal and their identity as a band certainly came through in a variety of ways, especially their relationships with each other and boundless energy on stage. The experience definitely made me a bigger fan and my curiosity is definitely piqued and interested in checking out the other kind of show that they referenced as different from this one, which felt quite intimate and special.
“30 years is a long time. Think back 30 years ago… no cell phones… no Internet… no CDs… no reading glasses… Those were the days. And in case you guys haven’t figured it out yet, we’re going to play the Sports album. From the beginning to the very end. And that… was Side 1. That was the ‘video’ side, if you will. And now we’re going to take the record, and we’re going to turn it over… because that’s what we did, kids. We took the record, and we turned it over. Right? ” Part of a pretty entertaining monologue by Huey Lewis of Huey Lewis and the News at Mountain Winery last night, half way through their #1, septuple platinum 1983 album, which had four Top 10 hits (“Heart and Soul”, “I Want a New Drug”, “The Heart of Rock & Roll”, and “If This Is It”). Playing the classic album front to back – side to side – in honor of the “Sports 30th Anniversary Tour”, they did not end with that, as the concert continued on beyond with a new song as well as more non-Sports classics and covers. It was really a phenomenal show, and Huey and the band were in top form playing in their Bay Area home at Mountain Winery in Saratoga, which Huey Lewis characterized as “the scene of so many of our youthful indiscretions“. The sold out venue was filled with an awesome crowd of fans, and I think this was the first time I checked StubHub before a show at this venue and found that there was only a single ticket for sale, which I illustrates that it was the hottest ticket for the night in Northern California on the beautiful Saturday evening overlooking the lights of Silicon Valley.
“This is a song for you young lovers out there. I was in love once. When I picked my guts up afterwards, I wrote this tiny little song, I hope you enjoy it; it’s called Wonderful.” A twisted sort of sentiment about his most mainstream song, New Wave icon and post-punk pioneer Adam Ant and The Good, The Mad & The Lovely Posse kicked on their 40-city North American tour in San Diego last night, at the classy Balboa Theatre. Adam Ant launched his first album in 18 years, Adam Ant is the Blueback Hussar in Marrying the Gunner’s Daughter, earlier this year. Somehow last night’s show felt even more spectacular than the one I caught in San Francisco last year. Adam Ant was like a rock star possessed; perhaps more confident and somehow… joyful? At one point deep into the set, he tossed his mic stand, which landed on his bass player’s effects pedals, completely shorting them all out. One of the stage crew came out and messed with it briefly, then unplugged it and plugged him directly into his amp… the relentless onslaught of music could not be stopped, or even paused due to technical difficulties… and the near sold out crowd was perhaps treated to a more raw version of what was planned. A lot of music acts continually reinvent themselves, over and over, sometimes to the point where they become a series of completely different artists. Adam Ant is different. He is today what he was more than 30 years ago, in terms of his identity, style, and sound. He has evolved, of course, but stayed true to what he was and has always been – one of those rare artists who maybe got it perfect the first time.
“I’m not gettin’ old. I’m gettin’ dead.” Sixto Díaz Rodríguez, at age 70, standing before an enthusiastic, sold out crowd at The Warfield in San Francisco last night. He took time away from his set of late 60s folk protest rock and some surprising covers to engage the audience, often with humor (and some of it lighthearted and self deprecating) and incredible charm. I don’t know about the rest of the crowd, but if I could have one wish granted at the show, it would probably be to go up and give him a hug. He seems to be quite a sweet character, and beaming with happiness, which was not quite what I expected having his work on rotation for the 2.5 hour drive into the city. With boots, leather pants, black shirt and coat, and his trademark hat and glasses, he stood before us like some kind of elder statesman rock star… long lost and forgotten, that he was there at all playing on stage was as much unlikely as it seemed to be a part of his destiny. Truly an incredible opportunity to experience his music live and in person, I can’t imagine anyone in the room went away anything less that ecstatic with the show.