Sascha Konietzko’s brain child, KMFDM (Kein Mehrheit Für Die Mitleid, loosely “no pity for the majority”), played its second concert in the past year at The Independent in San Francisco to a crowd of its devotees last night. One of the leading artists that helped to build the Industrial music scene in the 80s (though Sasha prefers “Ultra-Heavy Beat”), they are certainly one of the last from that era who continue to carry the torch for that genre of music. They have been quite prolific in the past three decades, with regular and continued touring and 18 studio albums, as well as being uncompromising in staying true to that particular format of music. Sascha has been the one constant with the German group, with a rotating roster of band members, though the current formation was hitting on all cylinders last night. They put on an excellent concert and I can’t imagine that any who found their way into the show went away disappointed. While never remotely a mainstream act, the fans that they have converted over the years are truly dedicated, with a much more substantive relationship with this band than is the norm. These concerts feel as though they serve as an escape as well as celebration among those who “get” the counter culture sound and viewpoint that KMFDM imagines and then delivers with its relentless beat.
KMFDM, the pioneering industrial band with origins going back to the early 80s in Germany, is in the midst of a U.S. tour that kicked off in Boise a few weeks ago and is terminating on the West Coast. The current incarnation of the band is supporting their latest studio album, Kunst, which was released earlier this year. [Read more…]