“Put your hands in the sky…” Robert Smith of The Cure dispenses with the chit chat in-between songs for the most part, but fans of the band are so into every thought expressed in every song that the subconscious grooves in the back of their mind move them to connect with the moment, as as he sang those words during “From The Edge Of The Deep Green Sea”, a majority of the sold out crowd at Shoreline Amphitheatre reached up to the blue above. Not even a “hit” song for the band, that is the power of their music among the devoted. But it wasn’t just those long-time, hardcore fans that turned out for this show, but quite a number of “casual” fans as well, as this current tour is their first major one in the U.S. in about seven years. Apparently, their absence has been felt and their return is cause for celebration. They are not touring just the U.S., but the world at large through the end of the year. With their sprawling set lists and shows running around three hours non-stop with three or four encores, one wonders how they physically keep up… yet the shows they put on are stellar and truly unique experiences. The band has been recording and performing for so long – formed four decades ago – it is something just to hear the music from such different eras all performed in the same style and sound, with Smith’s matured vocals making them better than ever. A spectacular evening of music from one of the most original and talented bands of my generation – live music events don’t really get much better than this. One of the “must see” tours of the year, hands down.
Metric “I Can See The End Tour” 2016 Begins This Weekend, Featuring “Pagans In Vegas”
Emily Haines and James Shaw’s Metric are kicking off their 2016 U.S. tour at the House of Blues in Chicago this weekend, with dates running through the end of March. Metric will be supporting their sixth studio album released last year, Pagans in Vegas. [Read more…]
Morrissey at The Masonic | San Francisco, California | 12/29/2015 (Concert Review + Photos)
“Spread open your Golden Gates…” Morrissey always has an interesting little quip before delving into the first song of the night, and what he prepared from The Masonic in San Francisco was appropriate enough. Having seen him one other time this year – in San Jose in July (phenomenal show!) – he seems to be increasingly jubilant this year… a turn of fortunes for sure. He also seems much more comfortable in his own skin, and more confident (with a stellar band bringing his music alive in a way that eclipses all iterations that have come before it). He was also quite chatty with this latest engagement on Tuesday night, abandoning at least some of the darkness fans have become accustomed to (though he did make a remark about looking to find him in a monastery eight miles south of Vienna in the future). There is often a unique theme for each show by way of matching outfits for the band, and with this show, they all wore “Morrissey for President” t-shirts. We can only image. As one of my all-time favorite artists, I see him as often as I can, and it seemed most fitting to make this show my final one for 2015. He remains one of just a few artists that can still give me that chill down my spine and make me feel like I am witnessing something genuine and important (kicking in at this show with “How Soon Is Now?”). Morrissey has a way of bringing up feelings of nostalgia and fusing it with his new works to create something special. [Read more…]
“Not So Silent Night 2015” by Live 105 (#LIVE105NSSN) at Oracle Arena | Oakland, California | 12/11/2015 (Concert Review + Photos)
Not So Silent Night (NSSN) is Live 105’s “Annual Holiday Rock Show”, with 2015 bringing it back from a two-night event to a one night show. As I’ve mentioned in the past, I tend to avoid the massive outdoor Summer-style festivals (too hot, dirty, sweaty and crowded, though I did cover Live 105’s BFD this year – see Part 1 & Part 2), so I really enjoy these indoor ones that happen in the colder weather. With this one being an annual event, they are extremely well organized and somehow improve upon their formula year after year. The night kicked off early at about 5:30 and ran up towards midnight, so it was a very long evening of excellent artists doing their thing (with scant 5-minute breaks in-between as the did quick stage rotations). It was also an interesting mix of artists, with newer bands as well as some that have put in a lot more years, with Weezer topping the billing. All in all, it was a great line-up that flowed well and all performers seemed to step up and deliver to their own fans as well as making some new ones.
A Special Evening with Dave Gahan & Soulsavers at The Theatre at Ace Hotel | Los Angeles, California | 10/19/2015 (Concert Review + Photos)
“We’re going to play a few songs now that you might know. You’ve been very patient; thank you very much. You also might not know them as well…” Dave Gahan, bridging the main set of Soulsavers material and their encore, which featured two songs from his first two solo records and two from Depeche Mode’s Songs of Faith and Devotion. Making his debut performance with Soulsavers, they previewed the newly recorded material from Angels & Ghosts, which will be released on Friday. Dave Gahan has reunited for a second album as Dave Gahan & Soulsavers, as well as announced a very limited set of concerts with a 10-piece band at very small and intimate venues in the U.S. and Europe, with this first one happening at The Theatre at Ace Hotel in Los Angeles on Monday night. The album, Angels & Ghosts, is his second collaboration with producer Rich Machin and the tour takes them to New York, London, Berlin, Paris, and Milan. It all creates a framework to showcase Mr. Gahan’s ability to transcend the work of Depeche Mode into territory that allows him to reveal his own unique gifts, artistry, and vision. A peek into the soul of a man who is very complex, as well as a foundation with which to truly hear his voice soar to new heights and lyrics that provide real vulnerability. Decidedly not “a Depeche Mode show”, but a rare experience for fans to see another side of one of the most talented artists of our generation. Unforgettable.
Florence + The Machine at The Masonic | San Francisco, California | 4/8/2015 & 4/9/2015 (Concert Review + Photos)
“It’s so wonderful to be back in San Francisco. It’s wonderful to be back in America, because actually the title of the record – How Big How Blue How Beautiful – was inspired by the American sky. It was actually, in a text message… I sent – I don’t want to break the mystery of it – but I sent to someone I really cared about a lot. And this song was written about that time. And about just how everything seemed endless, and beautiful, and that the world was a magical place. And then if you hear the rest of the record, you may be able to tell that things got a bit… muh… but still, I feel like you come back to this feeling, always.” Florence Welch of Florence + The Machine, providing an introduction to the title song of the upcoming album due out in June. Playing two back-to-back shows at The Masonic in San Francisco, it was not only a set of concerts with new music, but seemingly a Florence with a bit of a different feeling. I was lucky enough to catch two of their shows in 2012 (at the Mondavi Center in Davis and at the Hollywood Bowl), and the Florence I saw performing this week encompassed what I came to expect (an intense and phenomenal performer), but with flourishes of more joy than I’ve seen previously. It made for even more captivating shows, as her and her incredible group of artists truly put on a masterful performance, with a mix of familiar and new. I obviously attend a lot of concerts every year, but Florence + The Machine is one of the very few that can give me that adrenaline rush and tingle down my spine throughout – a real feat. Being fortunate enough to attend both shows this week, while the set list was the same, the shows each had there own character, energy, and vibe. With the preview of the new album, and the quality of the songs, it would appear that the band hasn’t hit any ceilings yet in terms of their gifts, talents and abilities, and I expect them to continue to soar in that big blue sky that Ms. Welch is so fond of… in studio or on stage, they remain one of the top musical artists active today. [Read more…]
Florence + The Machine To Play Special Two-Night Engagement at The Masonic in San Francisco Next Week
A surprise announcement came from Live Nation today that Florence + The Machine will be playing two nights next week at the recently renovated Masonic in San Francisco. The two shows will be April 8th and April 9th, with a special pre-sale at 10am tomorrow (April 1st) for those who pre-order the upcoming album, How Big How Blue How Beautiful, due June 2nd in the U.S. These small shows in San Francisco next week will precede their appearance at Coachella. [Read more…]
Fleetwood Mac “On With The Show Tour” at Sleep Train Arena | Sacramento, California | 11/24/2014 (Concert Review + Photos)
“I walked out of there with not much, except a feeling in my heart that it was all going to work. And the reason that I tell you this story, is that I want you to know that if you have a dream, and you believe in yourself, and you believe something that you really want, don’t let anybody tell you that you can’t have it. Don’t ever let anybody get in your way, because you can have it, and we are living proof of that…” Optimistic words spoken by Stevie Nicks at the Sleep Train Arena in Sacramento last night, joined on stage by the core members of one of the best rock and roll groups of all time, Fleetwood Mac. I think we collectively need more optimism in the world today, but not just lofty words and sentiments, but used to power individuals to look to themselves and their own abilities and opportuities to make their dreams come true. Somehow, this collection of gifted artists – Stevie Nicks, Lindsey Buckingham, John McVie, Mick Fleetwood, and Christine McVie – all found one another back in the 70s and made music that has endured as classics to this day. I first saw Fleetwood Mac with their tour in 2013, and marked it as one of the best shows of the year. As that tour did not include Christine McVie, with her return on this year’s tour, I marked this show as my top “must see” concert of the year. It did not disappoint. All of the players sound like they are truly at the top of their game, and they seemed to love performing as much as the audience loved watching it. It was also a bit different than last year’s tour, with even higher production standards and maybe the best sound quality I’ve ever heard in a sports arena. It was truly an epic show, and Fleetwood Mac is one of those rare bands that can make playing to a large indoor arena work (I rarely go to such shows because they typically do not work on many levels). They really exceeded my expectations with their nearly three hour show, and I think the highlight for me was “Little Lies”, with Christine McVie’s beautiful voice and the overlapping chorus with Stevie Nicks and Lindsey Buckingham – a real showcase for the distinct character in each of their voices but how well they harmonize and blend together to such effect.
Bridge School Benefit Concert Features Neil Young, Pearl Jam, Florence + The Machine, Brian Wilson, Tom Jones, Soundgarden, Norah Jones, and More
The 28th Annual Bridge School Benefit Concert is October 25th and 26th at Shoreline Amphitheatre. It boasts an amazing line-up with Neil Young, Pearl Jam, Florence + The Machine, Brian Wilson, Tom Jones, Soundgarden, Norah Jones and Puss N Boots, Band of Horses, and Pegi Young & The Survivors all scheduled to play. [Read more…]
Tears for Fears at The Wiltern | Los Angeles, California | 9/23/2014 (Concert Review + Photos)
“Is that the new iPhone 6?” Roland Orzabal, early on in the show, as he and Curt Smith looked out over the sea of cell phones in the air, held by an exuberant sold out crowd at the historic Wiltern in Los Angeles last night. Tears for Fears, best known for their collection of timeless and classic New Wave hits from the 80s, do not tour very often, and when they do, the tours are usually not too many dates and cities. So there was a bit of an “event” feeling in the air, and based on some of their comments later in the show, they both seem to have quite an affinity for the City of Angels. As such, it seemed to be one of those special sort of shows, that unfold in a different sort of way. About halfway through the show, Curt even gave a shout out to Richard Blade, who was at the front of the GA crowd in the pit… if you didn’t know him by his own lifetime in music, you would think he was the band’s biggest fan (and maybe he is). Perhaps the development that represented the biggest point of fan service, prefaced by Roland with “nothing like changing it up for L.A.; obviously this is a special place for us…” was the surprise encore opener, a song that “we haven’t done for many, many years”. He said that this version will be included in their deluxe reissue of Songs From the Big Chair in November. He said it has been impossible for them to do live “until now”, and then proceeded to play “The Working Hour”. Definitely a special show by a fantastic band, and the place was certainly buzzing when it all came to a close after upwards of a two hour show.
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