“So this is one of your requests… I’ll see if we got this right.” Tori Amos in the “Lizard Lounge” section of her performance at the Paramount Theatre in Oakland last night, wherein on this “Unrepentant Geraldines Tour” she does a few covers suggested by fans. With Monday night’s show, the first was a kind of dark rendition of the Calvin Harris and Rihanna electro-house hit song, “We Found Love”. What? Tori Amos doing “We Found Love”? Yeah, I know the song well, but it took my thought process a few seconds to catch up with the familiar lyrics played out in such a different manner. As I settled into that incredible collision of techno pop and, well, however you might categorize what it is that Tori does, when she does her thing… I started imagining what might be the most amazing cover to hear from her following that. Immediately, I thought of “Tiny Dancer” (it has a special connection with my fiancé and I, and she was seated next to me in the orchestra pit for her first Tori concert)… So after finishing “We Found Love” on her electric keyboard, Tori spun around and found her way to the deeper keys on her Bösendorfer piano and started into the classic Elton John tune. I’ve seen, I would guess, thousands of artists live in concert – that was the first time I’d felt that maybe one read my mind. Very surreal moment, and maybe the coolest moment for me at any Tori Amos concert (and I’ve been to my fair share). She was certainly full of surprises last night, as a fan might see simply from taking a look at the set list, which had songs from her latest, Unrepentant Geraldines, going all the way back to her failed synthpop band, Y Kant Tori Read. With the new album and this current tour, Tori has certainly hit her stride both in the studio and on the road, and she’s always been one of those rare artists that is a master at both.
James Blunt (Moon Landing World Tour) at The Fillmore | San Francisco, California | 5/14/2014 (Concert Review + Photos) #bluntontour
“Before the night is over, I’m going to be in with these guys…” At some point into the sprawling one hour, forty five minute set put on by (an at times plain goofy) James Blunt and his band, the singer-songwriter looked up at the small section of balcony seats in the sold out show at The Fillmore in San Francisco, then glanced at the standing crowd right below, and made those up front feel that something special might happen toward the end of the show. Keeping his promise, a sweaty James Blunt did indeed end up surfing the crowd – not what one might expect of the emotional crooner, best known for his kind of dark, break out hit song “You’re Beautiful”. Full of energy and great humor (much of it self-deprecating, which wasn’t surprising coming from an Englishman), James Blunt seemed like a born entertainer, feeding off the crowd and giving it all back in spades. At times it seemed like a bit of an odd affair all around; kind of like what might come about from making cookies without a cookie cutter… the audience certainly didn’t fit any particular profile or stereotype, and his music seemed to draw what you might call “people who don’t dance at concerts” (and funny enough, I would classify myself as one of those), so there was a sort non-traditional connection between artist and fan – not so much seen, but felt. It seems that the James Blunt fan might be more of a devotee – quizzing the crowd up front, people started a line at 2:30 for the 7:00 doors show. With four studio albums under his belt (with the latest, last year’s Moon Landing serving as the theme for this tour), he seems to be doing well, and enjoying himself along the way.
Boy George at The Fillmore | San Francisco, California | 4/28/2014 (Concert Review + Photos)
“It’s all about the attitude, right? Intention and context are everything. What’s next? Oh, sometimes I surprise myself!” 80s pop culture icon Boy George, before launching into “Church of the Poison Mind” with his amazing band, one of a handful of songs performed to the sold out crowd at The Fillmore in San Francisco last night. He had a lot to say to those who turned out for his show, and it marked his first visit to the city since 1999*. He was beaming with joy throughout their lengthy set, that ran about two hours and fifteen minutes, with interesting anecdotes, and witty and self-deprecating humor (at one point describing himself as an emerging UK artist). Culture Club’s albums were some of the first I bought as a kid, but in their prime years of ’83-’84, I was around 10-11 years old, so had no chance to see them live. This was one of the tours I’ve most anticipated this year, and with uncertain expectations, in my wildest dreams I couldn’t have imagined it would be, or even could be as stellar as it was. It was truly magnificent on every level, and I’m an even bigger fan than ever after experiencing the show last night. Definitely one of the best shows of the year.
MS MR at The Fillmore | San Francisco, California | 4/14/2014 (Concert Review + Photos)
“You’re one of the first cities that really, really supported us.” Lizzy Plapinger, the “MS” half of MS MR showering the crowd at the sold out Fillmore in San Francisco Monday night with some sincere gratitude. I’d seen the break out duo twice at The Independent last year, and as their success continues, they have stepped up from supporting at the Independent, to headlining multiple shows there, to now headlining multiple shows at the historic Fillmore, where they opened for Marina and The Diamonds a few years ago. As has been my experience seeing the band evolve, the “MR” half, Max Hershenow, seemed as thrilled as ever to step away from his keyboard a few times to dance and provide some backing vocals on Lizzy’s mic. I personally ranked their incredible debut studio album, Secondhand Rapture, as my favorite release of 2013, so they certainly won me over as a fan. While they always sounded amazing live, they seem to grow in confidence with each new tour, while maintaining that humility and earnestness which is somewhat rare in the contemporary music scene. This was their best show year, and while it clocked in at just under an hour, to me that was just perfect, and I applaud that they keep the studio length of the songs rather than trying to stretch them out to fill out more time as some young bands succumb to when touring with just one album under their belt.
Imagine Dragons “Into The Night Tour” at SAP Center| San Jose, California | 2/13/2014 (Concert Review + Photos)
When I last saw Imagine Dragons in concert, I was packed into a small club with about 500 other fans, pressed against the small stage, with frontman Dan Reynolds dripping sweat onto those of us in the first few rows. Fast forward just one year later, and now the band is easily selling out the 17,000 capacity SAP Center in San Jose (which even the Rolling Stones had trouble filling last year), and striking less successful music bands with envy (more on that later). With their performance Thursday night, it was fascinating seeing how they’ve built up a fan base, yet retained their modesty. At one point, during an ad lib, Dan became a bit self conscious about what he was saying, stopped himself, and confessed, “it’s because of you – you make me nervous…” Honesty and earnestness is rare in rock stars these days, but I have a feeling that it is something innate in this one, and will always stay with him. While photographing the first few songs at the start of their set, watching from a couple feet away, I saw Dan pause at one point and briefly stare out across the massive audience before him, and get choked up a little in the same way he did a year ago talking about the charity they were supporting for that small gig in San Francisco. These are definitely genuine guys, and it certainly comes through in their music and performance. Definitely one of the must see tours of the year, as I suspect they will get even bigger once they release their sophomore album.
Alison Moyet (The Minutes Tour) at The Fillmore | San Francisco, California | 11/11/2013 (Concert Review)
“Joy is not supposed to… it’s never meant to be this seamless stream of happiness, you know? Joy happens in moments, in little minutes, in little capsules of time…” Alison Moyet, talking about the ideas and themes and inspiration behind her latest studio album, The Minutes. As I gushed about in my preview last month of this very special three date, three city stop in the United States by New Wave icon Alison Moyet, she has been one of my all-time favorite vocalists, so I had really high expectations for this concert. I expected it to be a highlight among the approximate 100 concerts I’ll have attended by the end of the year. Remarkably, my expectations were exceeded in every way. Truly a fantastic concert and I know from being within the crowd of fans that I am not alone in my assessment. She was joined on stage by band members John Garden and Sean McGhee, and there were ample songs from her latest album (in my opinion maybe her best solo record of her career) as well as favorites going all the way back to her beginnings with Vince Clarke with whom she partnered with for Yazoo (Yaz in the U.S.). It is too bad for the masses here in the States that this must-see show is limited to just San Francisco, Los Angeles, and New York, but if you have a chance to catch one of the other two upcoming dates, it is well worth it. A phenomenal and unforgettable show by one of the most gifted singer-songwriters of my generation.
Depeche Mode Delta Machine Tour (North American Leg) at Pearl Concert Theater at Palms Casino Resort | Las Vegas, Nevada | 10/6/2013 (Concert Review)
When Depeche Mode announced the North American dates and cities for their Delta Machine Tour, I immediately identified the one at Pearl Concert Theater at Palms Casino Resort as the one to go to, since I was familiar with the (relatively) small and intimate venue from past shows, and it was one of just a few in the United States with a general admission standing floor area in front of the stage. Having seen them five times overseas earlier this year, I had become spoiled with standing right in front of the stage, so that has become a must for me in experiencing my favorite band. With the show last night, I certainly wasn’t disappointed, and I suspect most to all in the crowd felt the same, as Vegas is one of those rare cities that pull fans from not only all over the U.S., but all over the world. It was quite a celebration for not only the audience, but seemingly the band as well, who were quite jubilant throughout the performance, which clocked in at about two hours (there was no supporting act at this date). For me, being surrounded by friends who also traveled from California for this show, it was the perfect way to close out an amazing year of live music by the band who have in many ways impacted my life with their art, particularly in my formative years throughout the 80s. [Read more…]
Blondie with X “No Principals Tour” at Nob Hill Masonic Auditorium | San Francisco, California | 9/19/2013 (Concert Review)
Blondie’s spectacular show at the Nob Hill Masonic Auditorium in San Francisco Thursday night was a reminder of how seemingly effortlessly Debbie Harry and the band crossed into and innovated within so many different styles and genres of music in the late 70s and early 80s. Punk, post-punk, disco, pop, New Wave, even some rap, reggae, and infusions of some world music, they were quite the innovators, really serving as a pioneering force in music, and they continue to record new and relevant music today. The Debbie Harry-fronted East Coast post punk/pop/disco group Blondie share the bill on the “No Principals Tour” with Exene Cervenka and John Doe fronting on vocals for the West Coast, L.A. punk pioneers X, which features its original line-up. Both artists brought amazing energy to the stage, which created a frenzy within the crowd at the Masonic unlike anything I’d seen at the usually mellow venue, with fans of both bands flooding the area between the all-seated venue and the low stage. It was definitely a different sort of concert (in a great way) and celebration of music that really served as a pivotal transition from the 70s to the 80s, paving a pathway into what turned out to be fresh and new world.
The Breeders at The Fillmore | San Francisco, California | 8/27/2013 (Concert Review)
This week The Breeders returned to San Francisco, the city where recorded their second studio album, Last Splash, back in 1993. This weekend will literally mark the 20th anniversary of the release of this album, and the original band members that recorded it were on stage for two concert dates at The Fillmore on Tuesday and Wednesday. I have been to many anniversary-style shows over the years, but this was maybe the most literal, with quite an attention to details, history, and nuance. The Kim Deal-fronted band did a brilliant job recreating the seminal album on stage as part of their “LSXX” celebration. As a special bonus to the two San Francisco dates (the first of which was sold out, and is the basis for this review), the “Last Splash” line-up not only played that album front to back, but their debut album, Pod, as well, so it was a really amazing show for fans of the band.
The Cure “The Great Circle Tour” at Neal S. Blaisdell Arena | Honolulu, Oahu in Hawaii | 7/30/2013 (Concert Review)
Playing on stage for nearly three and a half hours, with just two 2-minute breaks and almost no in-between song chit chat, The Cure was all about songs and performance at the Neal S. Blaisdell Arena in Honolulu, Oahu last night, making the legendary band’s first ever concert in Hawaii maybe one of the best for those lucky enough to score tickets at the sold out arena. Last night’s rocking show was all about fan service, from the sprawling 38-song set list to the special meet and greet opportunity for those who were able to get one of the coveted front row seats on the floor; the decades old group that is impossible to categorize played a dream set of many of their seemingly endless catalog of hits, spanning their entire career. Though they’ve been one of my own favorite bands since the 80s, I haven’t seen them live since their Wish Tour in the early 90s. I’ve been to over 60 concerts so far this year and with that probably have seen sets by well over 100 artists, and I would definitely rank this as one of my Top Three shows so far in 2013. Having traveled special to the islands for this special concert event – part of their “The Great Circle Tour” – it was definitely more than worth it as it was an unforgettable experience.