“I wanted to give a shout out to the other bands that played tonight; weren’t they all so hot? I was like, ‘damn, I got some work to do tonight – those bitches were hot!’” Kitten’s Chloe Chaidez giving props to the other two amazing bands sharing the stage with her at Cargo at the Whitney Peak Hotel Thursday night, which also featured Jessica Hernandez & The Deltas and Bomba Estéreo. Kind of a triple headliner show, each act put on incredible sets with tons of energy, with the awesome lighting and sound at the Cargo giving them a lot to work with to showcase their unique approaches to their music. As this was all filmed by PBS member station’s KNPB, each set will be an episode of the upcoming television series, Cargo Live at Whitney Peak Hotel, due to start airing early next year.
“We’re Veruca Salt, and we’re gonna blow it out your ass…” Early on in their sold out show at The Fillmore in San Francisco last night, Louise Post made reference to their EP that followed their hit 1994 album, American Thighs, though it seemed to sum up what they came to do on stage, with Louise and co-singer and guitarist Nina Gordon shredding, singing, and shrieking through just south of a two hour set to a crowd of people who were more into this show that I generally see. I became aware of Veruca Salt when their song “Seether” became a smash hit. Unfortunately, I never had an opportunity to see them play live back in the day; in the late 90s, I was living in LA and going to grad school full time and working full time, which left almost no time for concerts. However, I have to imagine that they are better than ever in their current comeback, which includes not just touring but new music as well. As a matter of fact, I am fairly certain that their new single – “Museum of Broken Relationships – is perhaps my favorite Veruca Salt song to date. The two things that most struck me about their concert at The Fillmore last night was that 1) they put on a stunning show and 2) they seem to be having more fun than anyone. Hopefully this is just the beginning of bigger and better things, because it would be well-deserved and a long time coming.
The Popscene concert at Rickshaw Stop on Tuesday night was one of those rare shows that was very surprising (in a good way). Danish singer-songwriter MØ (Karen Marie Ørsted) headlined the night that featured Swedish singer-songwriter Erik Hassle supporting, and both put on stellar performances, with awesome bookend DJ sets by Aaron Axelsen. Candidly, I was not familiar with either of these young artists until recently, and I would mark the night as one of the best concerts I’ve attended so far in 2014. MØ and Erik Hassle should be on the pop culture watch list as ones to expect big things from in the future.
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Erik Hassle. He released his latest work as an EP, Somebody’s Party, which debuted earlier this year. He is also one of the songwriters for the current single, co-featuring Rihanna, “Can’t Remember to Forget You“. Erik is just finishing up his U.S. tour with MØ, and took time before his concert at Popscene at Rickshaw Stop last night to participate in this interview. The full concert review with photos from the live show can be found in my separate article (see: “MØ with Erik Hassle at Popscene at Rickshaw Stop | San Francisco, California | 6/3/2014”).
“I know I got that Adult Top 40 reputation, but don’t let that fool you… I’m wearing leather pants. And I will put foot on the amp and show you what’s what.” Anna Nalick definitely showed the packed crowd inside Harlow’s in Sacramento last night what was what, and then some. The genre defying singer-songwriter kicked off her mini tour of the West Coast, with shows in Oakland, Grant’s Pass, Spokane, and Seattle to follow through the end of this month. Best known for her triple Platinum hit, “Breathe (2 AM)”, from her debut album Wreck of the Day, she is on a two week break from starring in Scott Caan’s play, 100 Days of Yesterday at Playhouse West. This set of concerts presents a rare opportunity to see a truly gifted musical talent perform her original music as well as a number of new songs she’s crafted since 2011’s Broken Doll & Odds & Ends. I definitely have a lot of thoughts about the show… in short, I can’t recommend enough turning out to catch this special tour if you can. Brilliant, brilliant artist and performance, and a fascinating woman.
Charli XCX’s first U.S. headlining tour kicked off this past week, making an early stop in San Francisco at Slim’s last night to a dedicated and enthusiastic young crowd. The high energy evening kicked off with opening sets by LIZ and Kitten, providing a showcase of music with three young women fronting acts with three different styles of music. While Charli has been making music and performing going back several years, she broke much wider into the pop culture consciousness in the past year with Icona Pop’s “I Love It”, which she wrote and also provided vocals to in the hit pop song. Her own music, off her debut album True Romance, is a bit more experimental and darker by contrast, which is why she gave the song to the synthpop Swedish duo for their own album. Charli has had a productive time since I last saw her opening for Santigold in the Summer of 2012, having toured with Coldplay, Paramore, Marina and the Diamonds, as well as put out a lot of new music and music videos like the recently released “SuperLove“. She is definitely one to continue to watch as she forges her own unique path through the music industry. She put on a great show last night and really seems to have grown into having a real command on the stage (with new band in tow) and has inspired and sparked the imagination of a generation of fans.
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Charli XCX. She released her first studio album, True Romance, earlier this year, and is embarking on her first headlining tour of the U.S. this month. This month she also released a new song and music video for SuperLove, with plans to release a second studio album in the Spring. She took the time to call in from Stockholm this morning to participate in this interview.
“This is actually the first song we ever wrote… do you remember your first time?” Susan Ottaviano, vocalist for Book of Love, providing her introduction to “It’s in Your Eyes” halfway through their set at DNA Lounge in San Francisco last night, one stop in a handful of California dates this month. The New Wave synthpop band from Philadelphia, which was formed more than 30 years ago, have started working together and recording together again, and these special concerts are a part of that rebirth for the group. Based on the packed nightclub and enthusiasm of the crowd, they are not forgotten, and there was a large fan base in attendance, many of whom traveled special for the relatively intimate show. As the style of music that they helped to develop back in the 80s gains in popularity today, it is exciting to see the band active and killing it on stage as if they’ve been active all along, rather than reuniting. Hopefully it will mark the start of more to come.
This article features the latest in an ongoing series of “Rock Talk” podcast audio interviews for the Rock Subculture Journal. Today’s guest is Chloe Chaidez of Kitten. Chloe is the singer and driving force in the very young band that has been blowing up the music industry with their high energy live shows and interesting blend of musical genres. They will be supporting the upcoming Charli XCX tour, which has recently been rescheduled. Kitten just released their new EP, Like A Stranger.
Below you can listen to the all new Rasadon Return remix of Jack Littman’s “The Leaving” by DJ Rasadon. The original studio version of “The Leaving” can be found on Jack Littman’s EP, The Remedy, Vol. 1, which was released earlier this year. DJ Rasadon is formerly part of the Grammy Award-winning hip hop group Arrested Development. [Read more…]