“I wanted to know if you were up for a bit of dancing now – I know it’s a bit tight out there with bodies and antlers and everything, but hey, there’s no excuse…” Words in-between songs by 80s New Wave pop icon Kim Wilde at “Kim Wilde’s Christmas Party” at O2 Shepherd’s Bush Empire in London, England on Friday night. Given that these four special shows (one in the Netherlands and three in England) were her first solo gigs in some time, I really had no idea what to expect. And since she just came out with her Wilde Winter Songbook of Christmas songs, I thought perhaps the whole show would be dedicated to maybe an hour or so of holiday music. I really couldn’t have been more wrong, as she ended up doing a mix of pop music (including covers) as well as Christmas music, with a sprawling setlist clocking in at two dozen songs, with a two hour performance. At 53, she still looks stunning and sounds amazing, and it truly had a party-like atmosphere, and among other talented musicians, she was joined on stage by her niece, brother, and father, so it was a real intimate family affair. All in all, a brilliant show, and I feel very fortunate to have had an opportunity to be there for it.
“Crisis Presents…” with Jake Bugg, Bastille, Michael Kiwanuka, AlunaGeorge, and Foxes at Eventim Apollo in Hammersmith | London, England | 12/20/2013 (Concert Review)
This special benefit concert was organized by Crisis, with proceeds designated for their “Crisis at Christmas” as well as their Year-round services throughout the UK. The stellar line-up featured Bastille, Foxes, AlunaGeorge, Michael Kiwanuka, and Jake Bugg, with presenter Clara Amfo from BBC Radio 1Xtra managing the event on stage. It was a high energy show that drew a young and enthusiastic crowd, and was certainly in line with the festive spirit of this week leading into Christmas. The night kicked off with a great performance from the charity organization’s own Crisis Starlight Band and that moment carried through the night. A great evening for a great cause.
“Kids Company and Coldplay Present: Under 1 Roof” with Coldplay, Lily Allen, David Brent And Foregone Conclusion, Dynamo, Rizzle Kicks at Eventim Apollo in Hammersmith | London, England | 12/19/2013 (Concert Review)
“Essentially, the word around here is grateful…” Chris Martin at his piano, backed by the Royal Academy of Music, opening the encore for the night with a cover of “White Christmas”. I’ve written quite a few articles about Coldplay in the past, so any who have read them would know that they are one of my favorite bands (along with Depeche Mode and Pixies). I hadn’t seen them live since their show in San Jose in April of 2012, so it has been a while. They took 2013 off as far as performing live goes, and have been in the studio working on new material. The band has always used their gifts and successes in music to help others, and one of the organizations that they’ve been a big supporter of is Kids Company in the UK. And, as per tradition, they tend to do a special show each year for Christmas and/or New Year’s, so this year it was another of their “Under 1 Roof” multi-artist events. Sharing the bill with them this year was Lily Allen, Ricky Gervais reprising his character from The Office performing as David Brent and Foregone Conclusion, magician Dynamo, and Rizzle Kicks, with Fearne Cotton hosting the evening, along with some surprise guests like Robbie Williams and Tim Rice-Oxley from Keane.
The Invisible Lighthouse – A Film and Live Performance by Thomas Dolby at Crest Theatre | Sacramento, California | 11/23/2013 (Concert Review)
“It’s a happy and a sad occasion…” Thomas Dolby talking about his last stop at Creat Theatre in Sacramento last night, in his preface to “performing” his very personal documentary film, The Invisible Lighthouse Tour. Really a film unlike any I’ve ever experienced, it was just that – an experience. Dolby has been a pioneer in pop culture from his very beginnings, well known for his 1982 New Wave hit, “She Blinded Me With Science” among a number of other accomplishments in and out of music. Dolby’s partner on the stage, Blake Leyh, produced some amazing “analog”, impressionistic sound effects during the film, which Dolby scored and narrated, which made it clear that each performance of his film has been quite unique and different. A real pioneer in the arts, Dolby certainly has consistently blazed his own path, and after hearing his candid thoughts throughout the event, it would seem that he operates in a bit of a pop culture bubble, and looks to technology to find new ways in which to create meaningful art and vehicles for expression, and currently he is inspired by the ability today to make powerful films, sans Hollywood budgets and crews. The result is something that literally has to be experienced in a theater, and hopefully this event is truly not the last for The Invisible Lighthouse.
Anna Nalick at Harlow’s Restaurant and Nighclub | Sacramento, California | 11/20/2013 (Concert Review)
“I know I got that Adult Top 40 reputation, but don’t let that fool you… I’m wearing leather pants. And I will put foot on the amp and show you what’s what.” Anna Nalick definitely showed the packed crowd inside Harlow’s in Sacramento last night what was what, and then some. The genre defying singer-songwriter kicked off her mini tour of the West Coast, with shows in Oakland, Grant’s Pass, Spokane, and Seattle to follow through the end of this month. Best known for her triple Platinum hit, “Breathe (2 AM)”, from her debut album Wreck of the Day, she is on a two week break from starring in Scott Caan’s play, 100 Days of Yesterday at Playhouse West. This set of concerts presents a rare opportunity to see a truly gifted musical talent perform her original music as well as a number of new songs she’s crafted since 2011’s Broken Doll & Odds & Ends. I definitely have a lot of thoughts about the show… in short, I can’t recommend enough turning out to catch this special tour if you can. Brilliant, brilliant artist and performance, and a fascinating woman.
KMFDM at The Independent | San Francisco, California | 11/14/2013 (Concert Review)
Sascha Konietzko’s brain child, KMFDM (Kein Mehrheit Für Die Mitleid, loosely “no pity for the majority”), played its second concert in the past year at The Independent in San Francisco to a crowd of its devotees last night. One of the leading artists that helped to build the Industrial music scene in the 80s (though Sasha prefers “Ultra-Heavy Beat”), they are certainly one of the last from that era who continue to carry the torch for that genre of music. They have been quite prolific in the past three decades, with regular and continued touring and 18 studio albums, as well as being uncompromising in staying true to that particular format of music. Sascha has been the one constant with the German group, with a rotating roster of band members, though the current formation was hitting on all cylinders last night. They put on an excellent concert and I can’t imagine that any who found their way into the show went away disappointed. While never remotely a mainstream act, the fans that they have converted over the years are truly dedicated, with a much more substantive relationship with this band than is the norm. These concerts feel as though they serve as an escape as well as celebration among those who “get” the counter culture sound and viewpoint that KMFDM imagines and then delivers with its relentless beat.
Charli XCX with Kitten and LIZ at Slim’s | San Francisco, California | 11/1/2013 (Concert Review)
Charli XCX’s first U.S. headlining tour kicked off this past week, making an early stop in San Francisco at Slim’s last night to a dedicated and enthusiastic young crowd. The high energy evening kicked off with opening sets by LIZ and Kitten, providing a showcase of music with three young women fronting acts with three different styles of music. While Charli has been making music and performing going back several years, she broke much wider into the pop culture consciousness in the past year with Icona Pop’s “I Love It”, which she wrote and also provided vocals to in the hit pop song. Her own music, off her debut album True Romance, is a bit more experimental and darker by contrast, which is why she gave the song to the synthpop Swedish duo for their own album. Charli has had a productive time since I last saw her opening for Santigold in the Summer of 2012, having toured with Coldplay, Paramore, Marina and the Diamonds, as well as put out a lot of new music and music videos like the recently released “SuperLove“. She is definitely one to continue to watch as she forges her own unique path through the music industry. She put on a great show last night and really seems to have grown into having a real command on the stage (with new band in tow) and has inspired and sparked the imagination of a generation of fans.
Danny Elfman’s Music from the Films of Tim Burton, Conducted by John Mauceri, at Nokia Theatre at L.A. Live | Los Angeles, California | 10/31/2013 (Concert Review)
“I just want to say, I used to see this guy at really crappy clubs right down the street. And now that it’s come to this, I’m like blown away. There is no better person to spend Halloween with, than him…” A few words from Tim Burton, paying tribute to Danny Elfman, the man who has accompanied him on quite the filmmaking journey that began with 1985’s Pee-wee’s Big Adventure. I don’t know if I can say that I’ve ever seen and heard such an impressive display of music than with last night’s special event at Nokia Theatre at L.A. Live. With the 87-piece Hollywood Symphony Orchestra and the 45-member Page LA Choir, conducted by John Mauceri, it was amazing. I feel like Danny Elfman was a key figure within pop culture in my formative years, as Oingo Boingo was the band I saw more than any other in concert in the late 80s and very early 90s, and as a huge fan of Tim Burton’s films and those consistent themes and quirky characters, I feel like I was along for the ride as well. So when I heard about this event, I knew it was one that I could not allow myself to miss, and I am thrilled to have had an opportunity to be part of it. Words really can’t describe; if you were there and are now reading this, I am sure you can agree.
Whodini, Kurtis Blow, and Rob Base (V101’s Hip Hop Halloween House Party 2013) at Thunder Valley Casino Resort | Lincoln, California | 10/25/2013 (Concert Review)
Last night was all about old school hip hop legends, with Whodini, Kurtis Blow, and Rob Base each taking the stage during V101’s Hip Hop Halloween House Party at Pano Hall inside Thunder Valley Casino Resort in Lincoln. Pioneers in what has since become a wildly popular genre of music, it was a celebration of the artists who built the foundation of hip hop, with respect paid to many of their peers who were not part of the concert, by way of mention and covers. It made for an interesting and unpredictable night of music, with legend Kurtis Blow doing his own music, like “The Breaks” (the first gold certified rap song back in 1980) as well as some unexpected works from others that followed many years later, like House of Pain’s “Jump Around”. Hip Hop has obviously changed tremendously in the past three decades, but those in attendance last night, I think, appreciate that it was probably at its best in those early years, and it is gratifying to have seen these artists do their thing on stage last night in a relatively intimate atmosphere with a great crowd, some of whom also took to the stage throughout the show.
MS MR at The Independent | San Francisco, California | 10/21/2013 (Concert Review)
“Thank you so, so much for being here tonight. It means so, so much to us.” Lizzy Plapinger, the “MS” in MS MR thanking the crowd at the Independent in San Francisco last night for being “early adopters” of their music, while the “MR” half, Max Hershenow, preps the crowd for the last song of the night, “Hurricane”. Appropriately enough, the new band has taken the music industry by storm with their phenomenal first studio album, Secondhand Rapture, which I certainly rank as one of the Top 10 Albums of 2013. Their unique blend of at once dark and poppy electronic music has taken me back to those same feelings I had when I found Yazoo 30 years ago (with another male-female duo in Vince Clarke and Alison Moyet), though updated and reflective of our time today. This was the third of three sell out shows at The Independent in the past week, which is remarkable since it was only four months ago that I saw them take the same stage supporting CSS back in June. In much the same way Imagine Dragons graduated from The Independent (they played there as well earlier this year) to filling sports arenas, I suspect that MS MR will continue on with their upward trajectory, carried by their awesome music and brilliant live performances, which sound as sublime as the studio recordings. This is definitely a tour that fan who are lucky enough to check out will not forget.
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