Music from the future. I’m not sure how else to describe Thievery Corporation and their live show at the Grand Theatre at Grand Sierra Resort & Casino this week. I’ve followed them casually for many years now, but never made a concerted effort to dig into their many releases put out on their own label going back a few decades now… but their live concert sure inspired me to do so. Their music is so rich with influences, at once it feels like it is from everywhere and no where familiar all at once. It doesn’t feel “American”, it feels more like it is from the planet Earth. It is what I imagine popular music might sound like many, many decades from today. But it is here and now. In any event, whatever it is and wherever it came from Rob Garza and the many artist who work with him and tour with him put on one of the best shows I’ve seen this year, and turned me into a fan. I have a lot of catching up to do, which is a good thing.
“We have to love one another. We can always find a way. We can always find a way”. Ziggy Marley at Veteran’s Memorial Auditorium in Grass Valley on Sunday night, before a crowd of people that seemed to be very receptive to his messages and ideas shared throughout his set. Playing in support of his latest album, Rebellion Rises, Ziggy Marley brought a message that seems to run counter to the general vibe that we encounter day to day in the U.S., which I found both refreshing and timeless. He is all about positivity and the power behind everything that is about, rather than the current climate permeating social media and the news that is more about dividing and judging one another and being intolerant. Personally, I would choose to stand beside Ziggy Marley and celebrate his music and his message of coming together with one another, and I think that would hold true for the fans in attendance at this concert. The show was excellent and I am really enjoying the new music, which mixes together well with his massive catalog of work as well as the handful of covers done in tribute to his father’s work as well. Really a fantastic experience and nice escape from the day to day negativity found out in the “real” (and not so real) world. This is definitely a tour to come out to see if it is headed to a city near you in the next couple of months.
Supporting the release of his seventh solo studio album, Rebellion Rises, Eight-time GRAMMY® award winning musician and reggae icon Ziggy Marley will be touring North America throughout August and September, starting with eight concerts across California. [Read more…]
“It’s lovely to be here celebrating beautiful memories”… Boy George in one of his asides during his headlining performance at the inaugural “iHeart80s Birthday Bash” live concert event at SAP Center in San Jose. The special show on Saturday night featured Boy George, Tiffany, The Romantics, A Flock Of Seagulls, Farrington & Mann of the Original When In Rome UK, Tommy Tutone, Animotion and Nu Shooz, with former original MTV VJ Martha Quinn hosting along with radio personalities Christie James and Morris Knight. It was really a stellar show with end to end 80s-era hits and hitmakers putting on non-stop entertainment for four hours.
“So, basically Culture Club makes happy sad music. If you’re a Gemini, you don’t need that explained. If you’re a Libra, I can’t help you. Hands up for the Geminis! You’ve got to use two hands if you’re a Gemini, because there’s always two of you. What’s that saying? ‘Roses are red, violets are blue, I’m schizophrenic, and so am I.’ That’s the Gemini mantra. So we do these happy sad songs. Dancy rhythms, melancholy sounds, mixed together…” Boy George explaining Culture Club in a way that only he could… an interesting insight into the band and the man who proudly stood out in front of it (as well standing for many other things) throughout the first half of the 1980s. All in preface to the song, “Move Away”, which was the lead single to their fourth album, From Luxury To Heartache, an album title which nicely dovetails into what he was explaining, as well as illustrative of that early trajectory of the band in it’s first life… It all ended far too early when they broke up in 1986 following the release of that album and that lead single, which would be their final entry into the U.S. Top 40 charts. The light that burns twice as bright last half the time and all that… But life is a funny thing. Fast forward thirty years (!), and there on that stage at Thunder Valley’s Outdoor Amphitheater in front of thousands of jubilant fans on Friday night was Boy George and the original members of Culture Club – Roy Hay, Mikey Craig and Jon Moss – and I can’t imagine them being any more happy or in sync with one another musically and with their live performance. And, it would seem, the impossible journey each took to get them there made it all the more sublime. Joyfully playing those now classic songs of happy sad music. A potent chemical reaction of letting soul and reggae out to play with all manner of other music genres, bending and twisting and dancing with new wave, country, pop, funk, rock, R&B, and even church music, to create something altogether unique but unified in that wicked sort of Gemini manner… The genius of Boy George, and his bravery in always being uniquely himself and forging new paths for others to follow. Definitely one of the best tours of 2016, one of the most important New Wave bands (who helped push those loose boundaries within that broad musical movement), and a band fronted by one of the most interesting figures in pop culture in modern times. [Read more…]
“It’s all about the attitude, right? Intention and context are everything. What’s next? Oh, sometimes I surprise myself!” 80s pop culture icon Boy George, before launching into “Church of the Poison Mind” with his amazing band, one of a handful of songs performed to the sold out crowd at The Fillmore in San Francisco last night. He had a lot to say to those who turned out for his show, and it marked his first visit to the city since 1999*. He was beaming with joy throughout their lengthy set, that ran about two hours and fifteen minutes, with interesting anecdotes, and witty and self-deprecating humor (at one point describing himself as an emerging UK artist). Culture Club’s albums were some of the first I bought as a kid, but in their prime years of ’83-’84, I was around 10-11 years old, so had no chance to see them live. This was one of the tours I’ve most anticipated this year, and with uncertain expectations, in my wildest dreams I couldn’t have imagined it would be, or even could be as stellar as it was. It was truly magnificent on every level, and I’m an even bigger fan than ever after experiencing the show last night. Definitely one of the best shows of the year.