“…one of the reasons it passed so quickly for me was actually – I had a kid. He’s magic. And I’ve basically wanted to hang out with him so I’m sorry I disappeared.” Dido offering some explanation of why she’s not done a world tour for the past 15 years, and as an introduction to one of two encore songs – her very personal “Have To Stay” – in her performance at The Masonic in San Francisco on Wednesday night. I’m actually one of those people who have waited to see her for the past 15 years, so it was an amazing experience. Supporting her brilliant new album, Still On My Mind, Dido played many hits and lots of new music, and still left us all wanting more, even with a 20-song set. This was actually show #1 of 3 for me and Shelley (Mrs. Rock Subculture), as we took time to also catch the subsequent shows in both Portland and Seattle (mini reviews included below) as Dido wrapped up the U.S. leg of her tour in California and the Pacific Northwest. Hopefully it won’t be another 15 years for her to come around again, but it was well worth the wait. [Read more…]
Black Francis usually doesn’t have much to say on stage, and with the latest show by Pixies at the Grand Theatre at Grand Sierra Resort & Casino on Thursday night, it was mostly to introduce the titles of new songs that will be on their upcoming album expected later this year. Hearing these songs for the first time myself, I’d honestly say that this as yet untitled new album may be their best since their original quadrilogy. Which got me thinking, as I took in the show and had fleeting memories of high school (where I counted Pixies and Depeche Mode as my favorite bands)… all four of their original albums were literally all released while I was in high school (Surfer Rosa in 1988, Doolittle in 1989, Bossanova in 1990 and then Trompe le Monde in 1991) and I saw them quite a few times in concert back in the day (even opening for U2 once). In any event, I love every song released during those formative four years (except the two I hated), so seeing them jam live is always such a joy, as their music was made to be performed. [Read more…]
“I guess the 80’s is the best thing around…” Mike Score of A Flock of Seagulls, putting things in simple terms before the massive crowd at the joint presentation of Rewind | Lost 80’s Live ’18 concert event at Thunder Valley Outdoor Amphitheater on Sunday night. Known for it’s rotating series of artists who made significant marks on the music scene throughout the 80’s, each year the show presents a unique concert going experience. The line-up this time around featured A Flock of Seagulls, Mickey Thomas from Starship, Wang Chung, Dale Bozzio from Missing Persons, Animotion, Farrington and Mann from When In Rome, and Annabella Lwin from Bow Wow Wow. [Read more…]
“Unbelievable. Nine songs of texting. (laughs from crowd) Yes, I’m here to shame you for that because… (laughs) No seriously, I’m here to validate. We are here to validate you… Thank you for coming out tonight, supporting our little soirée. With our brothers from Stone Temple Pilots and Bush. You want some more? This one’s fun. I’m pretty amped up actually. Pretty rare for me. It’s the altitude. Must be the altitude. There you go, standing up, getting out of your seats… What’s happening? Spontaneous… It’s a spontaneous audience participation. We’re connecting as one. As one group. As one harmonic ecosystem, together. It’s fucking unbelievable. It’s fucking unbelievable!” Ian Astbury of The Cult, with a bit of a stream of consciousness revelation between songs during their set, fixed in the center of the triple headlining tour featuring STP, The Cult, and Bush called “Revolution 3 Tour”. Sometimes multiple headlining shows aren’t quite that, but in this case, after each artist, I wondered how the next could measure up. And I don’t personally follow any of the three bands. Yet somehow, I came away feeling this was the best concert yet as the Ironstone Amphitheatre Summer Concert Series nears it’s end, with just one show left to go. It was three top performances with this concert on Friday night. [Read more…]
“Thank you so much for having us back; this is the first night of the “High As Hope Tour”. This next song is from… oh you guys flustered me! This next song is from High As Hope and I wrote it about the place that I was born which is south London, which has a lot less trees than this…” Florence Welch of Florence + the Machine at Harvey’s Outdoor Arena in South Lake Tahoe on Thursday night, kicking off her latest tour in support of her amazing new album. “I’m with you… I’m with you like… at the moment my heart, it hurts a lot of the time and I just want to say I want you all to hold hands because I really believe in you and I believe in the power of change. And I believe in love and I want you to hold hands for this song because if we connect, I really think amazing things can happen”. A lot of performing artists say things about connecting with their audience, and say those things from the stage, and the audience watch from below as they perform. With Florence, it is not just words. Toward the end of her set, into the song “Delilah”, Florence came off of the stage and ran deep into the audience while she sang, literally connecting with fans in the crowd. Then she actually came running across (barefoot of course) the seat in the row I was in, and I got to witness first hand something unlike anything I’d ever seen at a concert. Florence was engaging with fans one at a time, one on one. In many instances she was grabbing their faces and pressing her forehead against theirs, as if she was forming a mystical bond with them. She was right in front of me for a good length of time, and it was kind of surreal to hear her voice singing directly from her, not just through the sound system. It’s actually been years since I uploaded concert footage to my YouTube channel, but it was such an incredible experience, I thought this would be the best reason ever to share a snippet of this amazing concert moment (iPhone quality, unedited): LINK Really, it takes a lot to put me at a loss for words, but this concert really transcended what anyone might expect from a live show. For some fans, I think it was a near religious experience. Currently tied for my favorite concert of the year. Definitely the best tour of 2018 I am guessing. And since this was the first show on this tour, everyone has time to try to get out to make one of the upcoming dates.
“This next song I’ve been singing since I first came to the USA many years ago… it still means a great deal to me. It’s called Kings of the Wild Frontier.” Adam Ant with his amazing band, in front of an enthusiastic crowd at Silver Legacy Resort Casino’s Grande Exposition Hall in Reno, Nevada. Performing artists say things like that all the time, and a jaded concert-goer might consider it mere banter in-between songs. Not so, with Adam Ant. After performing that song on Saturday night – originally released early in the New Wave era way back in 1980 – Adam Ant paused for a moment as the heartfelt accolades of the fans in the room showered over him. For some reason, I happened to capture the moment in video on my iPhone from the video screen off to the side (iPhone video snippet here), and at the time and in review again going through my notes and videos I took another look and Adam Ant has so much emotion and gratitude on his face at that moment that it’s genuinely moving to, well, feel him “feel”. He brings so much to the stage with his concert and presumably touring in general these days that I felt so fortunate to just be part of this incredible show that brings his latest North American tour to an end. It’s definitely may favorite show of 2018 thus far, and I can’t imagine anything besting the experience. Truly an icon of music and pop culture for my generation, and I firmly believe his live shows today are the best he’s ever given his fans.
“Foreigner has just passed our 40th anniversary… Four zero… that’s a big deal!” Kelly Hansen at Ironstone Amphitheatre in Murphys on Sunday night, the third lead singer of Foreigner over the course of the past four decades. The evening served as a celebration of a wide variety of music and genres, with performances by Foreigner, Jason Bonham’s Led Zeppelin Evening, and Queensrÿche. [Read more…]
“I wanted to write a song about that… I wanted to reflect the idea of the country, and the sense of the country…” Adam Duritz of Counting Crows brought a mix of concert and storytelling to Ironstone Amphitheatre at Ironstone Vineyards on Tuesday night, as part of the band’s “25 Years And Counting Tour”. He shared some stories about the origins and inspirations behind the songs that are so familiar to their fans, in a sprawling set approaching two hours. In addition, the crowd also enjoyed a lengthy set from the band Live as well as younger act Boom Forest. It was a beautiful night in Murphys and the mix of musical styles and genres entertained the massive crowd in attendance. [Read more…]
“I mean, I don’t think there’s anything that we love more than California, drinking wine, and singing some songs…” Karen Fairchild of Little Big Town, performing before a massive crowd at Ironstone Amphitheatre Sunday night. It seemed to be a sentiment shared by all in attendance as the band played through their own hits as well as some interesting cover songs, putting on a show that really impressed. [Read more…]
Richter Entertainment Group’s Summer Concert Season at Ironstone Amphitheatre in Murphys will be happening in June, July, August and September this year. Artists include Toby Keith, Little Big Town, The Isley Brothers, The Commodores, The Family Stone, Willie Nelson, Alison Krauss, Foreigner, Jason Bonham’s Led Zeppelin Experience, Queensryche, Counting Crows, Live, Creedence Clearwater Revisited, America, Stone Temple Pilots, The Cult, Bush, Culture Club, The B-52s, Tom Bailey from Thompson Twins, and more!