“I’m going to play really small tonight…” Kristin Hersh at the start of her special show at City Winery Napa. I would have to say that it was maybe the most quotable concert I’ve ever attended, filled with an endless number of interesting comments and observations throughout her set, which was a mix of poetry readings and music from her various projects recorded under her own name, Throwing Muses, and 50 Foot Wave. The setting within the beautiful, candle lit venue seemed perfect (Kristin’s first words coming out to the stage and mic was, “it’s so romantic here…”). Her comment about playing small was inspired by her own characterization of her setlist (“the tiniest setlist ever!“), which was about half the size of a Post-It Note, double-sided. But Kristin always seems to do things different; her own way… and sees the world I think a lot differently from the rest of us, which makes her works all the more compelling (in words, sound, and delivery). Quite the artist, it is interesting how she does not limit her expression to her incredible music, but also gives us glimpses into her world via words printed on paper (“I’m going to read books at you tonight…“). She has a sort of funny, quirky, open, and honest presentation which is somewhat disarming, in that she will then tear into a raw and emotional (powerful) song that is a shock to the system. A singular artist, I get the sense every show she does – even the “small” ones like last night – are quite unique journeys unto themselves. Certainly one of the more gifted and unique artists of her generation (and a real pioneer in terms of creating new pathways for women in music), she is definitely worth turning out to see live if you get the opportunity, and I would say the solo show is even more interesting than the traditional Throwing Muses concert (like the one I reviewed about a year ago).
“We’ve got a couple more for you… party on, Friday night!” Ellie Rowsell’s preface leading into Wolf Alice’s encore at the sold out show at Popscene at Rickshaw Stop on Friday night in San Francisco. The alternative band from London put on a blazing show at a rare headlining stop in the U.S. on their way to SXSW. A relatively newer band, their debut album, My Love Is Cool, is due in June, and already they seemed destined for much bigger venues. I would be surprised to see them on a steep upward trajectory over 2015. While the four members skew quite young, they exude maturity and confidence in their music, and as great as their EPs released thus far sound, their music seems fashioned to excel in a live setting even more than the studio recordings. Even though they didn’t move around too much on the stage during their set, their music moved the crowd and they are one of the most exciting bands to come along in recent years. Definitely ones to watch, and to catch live if you get the opportunity.
“If I was rich, I’d live here…” The modest Georgia Nott, chatting in-between songs about the beautiful houses she’d seen in San Francisco earlier in the day, at their sold out show at The Regency Ballroom Saturday night. It was a big step up in size from the shows I’d attended last year. Accompanied as always with her brother Caleb and touring drummer Joel Farland, it was indeed a much bigger stage this time around, which they filled with ease with their authentic set of fantastic pop music fueled by incredible melodies and heartfelt, thoughtful lyrics (and of course those soaring vocals!). Dubbed “The Evergreen Tour”, they are supporting their solid debut album released last year (which I ranked in my own Top Ten Albums of 2014). The kiwi duo are so young that I’m really excited to continue to follow them to see where their gifts take them next. I expect checking in on them in 2016, we will see them take on even larger stages and venues. One of the best new artists of this era, and they put on a fantastic live show – my highest recommendation.
“I think Paul and I actually played this before we even picked up electric instruments, more than 50 years ago… “ An intro into Buffy Sainte-Marie’s “Cod-ine” by David Freiberg, who played with legend Paul Kantner in both Jefferson Airplane and Jefferson Starship. The sold out concert at The Center for the Arts in Grass Valley last night was a celebration of both bands, as they celebrated 50 years of the former and 45 years of the later. Coincidentally, yesterday was also the day that the great Leonard Nimoy passed away. I made the connection in that Jefferson Airplane and Paul Kantner and Star Trek and Leonard Nimoy were both pioneers in pop culture from the mid-60’s onward and remain icons of that period today. The 60’s represents many different things to different people, but as time marches on, the reality of it slips more and more into the past and that reality is transformed more and more into symbolism and ideas. In some ways it fades, but it also becomes more powerful in that it has more of a mythic than real quality to people today, who forget… Or, like me, were born after that time. But Paul Kantner and David Freiberg are still on the road, keeping their music and the messages behind their art alive for those who come out to experience it.
“Is that the only pair of panties we’re going to get tonight?” Lisa Light, remarking on the underwear tossed at her co-vocalist and guitarist Scott Blonde of The Lovemakers at Popscene at Rickshaw Stop in San Francisco Friday night, as part of their “My Bloody Valentine’s Day Party on Friday the 13th of February”. The band seem to have a special relationship with the annual romantic holiday, though looking around it seemed to have turned out more singles looking for fulfillment than happily coupled couples. Building on their 2014 reunion, the band seems at it’s best live and on stage, literally pouring water on their hot and sultry style of retro pop and dance music. The Lovemakers were supported with a blazing set by Beginners, who came up from their home in Los Angeles. Filling in with fantastic DJ sets were Popscene’s Aaron Axelsen and Omar.
“Oh, somebody wants to hear, “What’s On Your Mind?”. Peer pressure him into letting it go… Dude. Or is he telling us to hurry the fuck up?” Kurt Harland, singer and front man for Information Society, displaying a mix of confidence and humor at their concert at Thunder Valley Casino Resort on Saturday night. Live shows from the New Wave/synthpop band are very rare these days, and the guy shouting out the name of the song that made them very famous with the masses circa 1988 didn’t have the same appreciation for the full spectacle and show they put on as the rest of the crowd, who couldn’t seem to get enough of their unique style of music, whether it was old favorites from the 80s and 90s or new songs from the newly released (and excellent) _hello World, which came out late last year. This concert event promoted by WorldOne Presents was marketed as “80’s Rewind Fest Presents: PURE ENERGY”, and it was a special winter edition of their “80’s Rewind Fest” series. This concert boasted additional special guests Book of Love as well as local opener, Self.Same. Though the three founding members of Information Society have gone off to create lives and careers outside of their band, you wouldn’t know if from this concert. They brought a ton of excitement and style on stage. Given their amazing new studio album and their ability to put on a fantastic live show, hopefully it represents more InSoc coming in our future.
“Tonight, we are here for you… and you for us. Are you ready? Let’s go.” Graham Russell, taking a pause on the front end of the sold out show at Thunder Valley Resort Casino on Friday night, looking back on 2014 and then at the very moment and forward. He and his songwriting partner Russell Hitchcock, strike me as very thoughtful and contemplative. I’d just caught one of their shows in South Lake Tahoe in September, and couldn’t pass up the chance to see them do their thing (and a special thing it is) again, since they were playing even closer to home for me. The duo that comprise Air Supply this year are celebrating 40 years together of making amazing music together and taking it out on the road to play before crowds of all ages (Graham also exclaimed, “there will be a 50, too!”). Which is no surprise, as their music is ageless. And, like that last show I saw, close out their encore with the extremely contemporary “Desert Sea Sky”, which seems to catch many by surprise (in a good way). But I’ve found from going on these live journeys with them twice now, that they are full of surprises, and know how to put on a live show that can go from fast to slow, rocking to ballad, in the blink of an eye. And they seem to love it as much as their fans.
“Okay, you all know this song and you need to sing along, because we don’t know what fucking hours of music were going to play tonight we’re going to keep going, so you guys sing along with this one…” Jules De Martino providing an intro into one of The Ting Ting’s biggest hits, “That’s Not My Name”, just before Katie White throws down with the vocals and gets the audience into a frenzy at their sold out show at Harlow’s Restaurant and Nightclub in Sacramento on Saturday night. As mentioned in my review of their show for Popscene at Rickshaw Stop in San Francisco the night before, The Ting Tings haven’t passed through on a tour since supporting their sophomore album, Songs from Nowheresville, in 2012 (see my review of that show at The Fillmore). Their newly released third studio album, Super Critical, just came out late last year via their successful PledgeMusic campaign. Co-produced by original Duran Duran guitarist Andy Taylor, the album pivots them into a different direction, though with their trademark infectious and experimental sound and energy. I thought the show Friday night was amazing, and illustrated how the band puts a lot of thought and attention into creating a live show that refashions their music a bit with each outing, keeping it all fresh and exciting for the crowds they turn out… Somehow, the Sacramento show was even better, and will definitely be in my Top Ten shows of 2015 at the end of the year, and has set the bar high for all of the other shows I’ll be seeing in the next 11 months.
“San!!! Fran!!! Cisco!!!” A city turned into a three-word chant by Jules De Martino, he and the other half of The Ting Tings duo Katie White aren’t the type to chit chat too much in-between songs at their live shows, but they certainly know how to get a place jumping. And that’s just what they did at the sold out show at Popscene at Rickshaw Stop on Friday night. The Ting Tings haven’t passed through on a tour since supporting their sophomore album, Songs from Nowheresville, in 2012 (see my review of that show at The Fillmore), and this latest gig was even more of a special occasion since they aren’t hitting but a handful of cities on this front end of touring in 2015 (and the dates in play are predominantly in California). Their newly released third studio album, Super Critical, just came out late last year via their successful PledgeMusic campaign. Co-produced by original Duran Duran guitarist Andy Taylor, the album pivots them into a different direction, though with their trademark infectious and experimental sound and energy. The show Friday night was amazing, and illustrated how the band puts a lot of thought and attention into creating a live show that refashions their music a bit with each outing, keeping it all fresh and exciting for the crowds they turn out. I loved every second of it, and while it was a full set, they left me wanting more, but I’ll get that at their follow-up show in Sacramento… one of those rare bands who inspire me to follow them around a bit.
I recently had an opportunity to see The English Beat at Ace of Spades in Sacramento, for my first concert of the year (on my birthday no less!). Unfortunately, with all of the cold and flu going around, after shooting the first three songs of their set, I had to bail as my fiancée was under the weather and burning up with fever. Rather than waste the opportunity to talk about one of the best live bands playing today, I thought I would put up this preview for what they have coming in 2015, with a list of upcoming concerts, a little bit of information about For Crying Out Loud – the new album due early this year – as well as share a few photos taken at the show last week. Hopefully I’ll have an opportunity to attend another one of their shows soon, and put up a proper feature about it. [Read more…]