Blondie’s spectacular show at the Nob Hill Masonic Auditorium in San Francisco Thursday night was a reminder of how seemingly effortlessly Debbie Harry and the band crossed into and innovated within so many different styles and genres of music in the late 70s and early 80s. Punk, post-punk, disco, pop, New Wave, even some rap, reggae, and infusions of some world music, they were quite the innovators, really serving as a pioneering force in music, and they continue to record new and relevant music today. The Debbie Harry-fronted East Coast post punk/pop/disco group Blondie share the bill on the “No Principals Tour” with Exene Cervenka and John Doe fronting on vocals for the West Coast, L.A. punk pioneers X, which features its original line-up. Both artists brought amazing energy to the stage, which created a frenzy within the crowd at the Masonic unlike anything I’d seen at the usually mellow venue, with fans of both bands flooding the area between the all-seated venue and the low stage. It was definitely a different sort of concert (in a great way) and celebration of music that really served as a pivotal transition from the 70s to the 80s, paving a pathway into what turned out to be fresh and new world.
GROUPLOVE “Seesaw Tour” (Night 1 “Heavy”) at The Independent & (Night 2 “Light”) at The Chapel | San Francisco, California | 9/14/2013 & 9/15/2013 (Concert Review)
“We do it for love, sweet love…” Fittingly, the final words sung on stage both Saturday and Sunday night in San Francisco by GROUPLOVE, from their hit song, “Colours”. Playing back-to-back shows as part of their special run of their “Seesaw Tour”, performing at two small venues in select cities, doing one traditional show and one acoustic-style show, each night featured a different kind of show, almost as if seen, heard, and felt through a kaleidoscope that shifted not just night to night, but within each show. GROUPLOVE is a band with probably the best energy of anyone playing today – such joy and positivity beaming not just from the speakers at the venues, but from the artists themselves – their expressions and jumping around, and interactions with the audience. The funny thing is that the audiences and shows kind of played counter to expectations, with the “heavy” night at The Independent skewing older and more mellow and the “light” night at The Chapel being much more youthful and boundless, which seemed to fuel the band into rocking their acoustic instruments on the tiny stage, which could barely contain them. Two incredible shows that delivered well beyond expectations.
Pixies at El Rey Theatre | Los Angeles, California | 9/9/2013 & 9/10/2013 (Concert Review)
2013 is maybe the best year since the early 90s to be a Pixies fan. Interestingly, having been in attendance now at the first two of three consecutive shows this week at El Rey Theatre in Los Angeles (and a fourth coming right after at the Mayan Theatre), the crowd overall skewed very young, which really underscores my long held belief that the Pixies were way, way, way ahead of their time, and also had bad timing (maybe in an alternate universe they could have had Nirvana-sized mainstream success). In any event, as I’ve often referenced in countless articles here on the Rock Subculture Journal, the Pixies are solid in my Top Three favorite artists of all time. Before going into recent and ancient history, the big question those reading this are probably wondering is, ‘how were these shows?‘ The short answer is, absolutely phenomenal. Everything one could hope for in a Pixies concert has been present in Night 1 and Night 2. With their new touring efforts and new music (music that is on par with their classic material), it is an awesome time to be into the Pixies, whether you were around back in the day or not. A time to celebrate, and the band and the fans all brought the party to El Rey Theatre this week.
OneRepublic at Mountain Winery | Saratoga, California | 9/8/2013 (Concert Review)
“Tonight what you see is a very, very, very stripped, stripped version of what it is that we do on a nightly basis…” OneRepublic’s show at Mountain Winery in Saratoga Sunday night was one of those very rare shows that surprised me (in a good way) on all counts. It was my first time seeing the band live, who are touring their latest studio album, Native (more on that later, also in a good way). Since it was such a different show from the norm, I can’t really account for what is different, though I suspect it was much more acoustic-driven than their typical set, though both approaches certainly do justice to their material. One thing that was apparent is that the group is made up of musicians at heart, and perfectionists in recreating their music on stage in a very real way. Their crew quite masterfully swapped out instruments (large on small) on stage in-between each song, helping to create a very memorable night that was a tapestry of the great music that OneRepublic has created. They sounded phenomenal and their identity as a band certainly came through in a variety of ways, especially their relationships with each other and boundless energy on stage. The experience definitely made me a bigger fan and my curiosity is definitely piqued and interested in checking out the other kind of show that they referenced as different from this one, which felt quite intimate and special.
V101’s Old School Funk Fest 2013 (The Brothers Johnson, Midnight Star, The Dazz Band, and Sinbad) at Thunder Valley Casino Resort | Lincoln, California | 9/7/2013 (Concert Review)
“You can’t be what this is…” Part of comedian Sinbad’s introduction of The Brothers Johnson, headliners of V101’s Old School Funk Fest 2013. The legendary American Funk and R&B group took to the stage after Midnight Star and The Dazz Band through down the bass-driven hits for a few hours leading up to George “Lightnin’ Licks” Johnson and Louis E. “Thunder Thumbs” Johnson rocked Thunder Valley’s Outdoor Amphitheater with classics like “Strawberry Letter 23”, “Stomp!”, and “I’ll Be Good To You”, to the thrill of the sold out crowd at the World One Presents production. It was definitely an evening of sublime entertainment with groups that unfortunately don’t perform on stage much too often these days, though their old school sound definitely is a reminder of a lot of what is missing in music today in many respects.
The Zombies at Yoshi’s San Francisco | San Francisco, California | 9/5/2013 (Concert Review)
“It sells more every year now than it ever did when it did first came out in 1968″… Rod Argent, keyboardist and vocalist, talking about the second studio album put out by The Zombies, Odessey and Oracle, as he and vocalist Colin Blunstone took the time between stretches of songs to provide some history and context into their “musical journey” through the history of the British Invasion band. After a stellar opening set from supporting band Et Tu Brucé, the two founding members of The Zombies along with rock veterans Tom Toomey on guitar, Jim Rodford (front Argent and The Kinks) on bass, and Jim’s son Steve Rodford on drums demonstrated with their performance why their legendary status continues to grow. Yoshi’s San Francisco was as packed as I’ve ever seen it, and the audience seemed to be swept away with their brilliant and timeless music.
Brand New 4-Track EP (EP-1) & New Music Video Released by The Pixies Leading Up To New Concert World Tour
As reported recently, there has been a lot of news coming from one of my all-time favorite bands, The Pixies, who will be playing four special concert dates in Los Angeles next week at El Rey Theatre and Mayan Theater, with new bass player Kim Shattuck. Last month The Pixies released one new song (as a free MP3 download) and two versions of a music video of the same (Ver 1, Ver 2). This week The Pixies have released EP-1, a new 4-track EP with all new material written by The Pixies and recorded at Rockfield Studios in the UK almost a year ago with producer Gil Norton. They have special artwork for the EP created by Vaughan Oliver. Full details can be found here: http://newpix.es/ep1 [Read more…]
Heart “Heartbreaker Tour” with Jason Bonham’s Led Zeppelin Experience at America’s Cup Pavilion | San Francisco, California | 8/28/2013 (Concert Review)
I have been to many, many concerts this year, but this is one of those few that left me feeling kind of speechless. With their San Francisco stop on their “Heartbreaker Tour”, Live Nation and America’s Cup hosted the event at America’s Cup Pavilion as part of their Summer Concert Series. Joining Ann and Nancy Wilson on this Heart tour is Jason Bonham and his Led Zeppelin Experience; more than a supporting act, it is a dynamic fusion that has made for a very unique and unforgettable concert experience. Throughout the evening, the musical journey and artistry on display seemed to build perfectly, song after song, moment to moment, and culminated with Jason Bonham and his band joining Heart on stage to perform Led Zeppelin material, with the crescendo of the overall experience being their collective rendition of “Stairway to Heaven”. Really, live music does not get any better than that, and when you see even the venue security rocking out with the fans, you know you are part of one of those special concert experiences where people forget who they are and just live the moment and soak it in, basking in the greatness shining from the stage.
The Breeders at The Fillmore | San Francisco, California | 8/27/2013 (Concert Review)
This week The Breeders returned to San Francisco, the city where recorded their second studio album, Last Splash, back in 1993. This weekend will literally mark the 20th anniversary of the release of this album, and the original band members that recorded it were on stage for two concert dates at The Fillmore on Tuesday and Wednesday. I have been to many anniversary-style shows over the years, but this was maybe the most literal, with quite an attention to details, history, and nuance. The Kim Deal-fronted band did a brilliant job recreating the seminal album on stage as part of their “LSXX” celebration. As a special bonus to the two San Francisco dates (the first of which was sold out, and is the basis for this review), the “Last Splash” line-up not only played that album front to back, but their debut album, Pod, as well, so it was a really amazing show for fans of the band.
The Cure “The Great Circle Tour” at Neal S. Blaisdell Arena | Honolulu, Oahu in Hawaii | 7/30/2013 (Concert Review)
Playing on stage for nearly three and a half hours, with just two 2-minute breaks and almost no in-between song chit chat, The Cure was all about songs and performance at the Neal S. Blaisdell Arena in Honolulu, Oahu last night, making the legendary band’s first ever concert in Hawaii maybe one of the best for those lucky enough to score tickets at the sold out arena. Last night’s rocking show was all about fan service, from the sprawling 38-song set list to the special meet and greet opportunity for those who were able to get one of the coveted front row seats on the floor; the decades old group that is impossible to categorize played a dream set of many of their seemingly endless catalog of hits, spanning their entire career. Though they’ve been one of my own favorite bands since the 80s, I haven’t seen them live since their Wish Tour in the early 90s. I’ve been to over 60 concerts so far this year and with that probably have seen sets by well over 100 artists, and I would definitely rank this as one of my Top Three shows so far in 2013. Having traveled special to the islands for this special concert event – part of their “The Great Circle Tour” – it was definitely more than worth it as it was an unforgettable experience.
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