“It enabled me to finish writing a bunch of these songs and create more of a positive spin. A hopeful, hopeful spin. This one is for my sweetie; it’s called “Brink of Destruction”… which is not a very positive title, now that I think about it. [laughter] …but, I don’t know, I like it; I like the dark side… and, you know, you walk to the edge and you look over and you go, “holy shit, do I want to jump?” and, yeah… I always do.” Sarah McLachlan talked about loss, and love, and new love, and like her music, it all reflects a very complex and deep feeling soul behind that soulful voice and heartfelt words. She is probably the most gifted vocalist to emerge in the past few decades, and having an opportunity to hear her in a live venue is definitely a memorable experience. Over the course of two hours, Sarah and her extremely talented band put on a showcase concert that hit on all cylinders – sound, lighting, audience interaction and some storytelling about some of the songs, as well as several Q&A opportunities (fans wrote down questions which she drew at random). Truly an “evening with” performance if there ever was one. Sarah has been writing and recording amazing songs for many years now, and her latest – Shine On – has quality that is right there with the best of it. End to end, the event presented a kaleidoscope of feeling and emotion, and Sarah can connect with people with her music unlike anyone else – she is truly peerless on many levels, and this is definitely one of the best tours going this year.
New Wave and electronic music pioneers New Order will be returning to the United States next month for a limited number of special performances, one festival appearance, and one show in British Columbia. La Roux – with new album Trouble in Paradise due July 7 – will be supporting at the two California shows in San Francisco and Los Angeles. New Order are also working on new music, and debuted one of those new songs, “Singlularity“, at their appearance at Lollapolooza Brazil back in March. [Read more…]
A recently reunited Veruca Salt (with the original line-up) has made a splash with new music, releasing “The Museum of Broken Relationships” and “It’s Holy” on Record Store Day this year (which included their biggest hit, “Seether”, as a B-side and in celebration of it’s 20th anniversary. They did their first live performance in 18 years on Conan a few weeks ago, sounding as fresh as ever, and you can watch their new music video on YouTube as well. In addition, this month they will be embarking on a tour of the U.S. and Australia. [Read more…]
“Before the night is over, I’m going to be in with these guys…” At some point into the sprawling one hour, forty five minute set put on by (an at times plain goofy) James Blunt and his band, the singer-songwriter looked up at the small section of balcony seats in the sold out show at The Fillmore in San Francisco, then glanced at the standing crowd right below, and made those up front feel that something special might happen toward the end of the show. Keeping his promise, a sweaty James Blunt did indeed end up surfing the crowd – not what one might expect of the emotional crooner, best known for his kind of dark, break out hit song “You’re Beautiful”. Full of energy and great humor (much of it self-deprecating, which wasn’t surprising coming from an Englishman), James Blunt seemed like a born entertainer, feeding off the crowd and giving it all back in spades. At times it seemed like a bit of an odd affair all around; kind of like what might come about from making cookies without a cookie cutter… the audience certainly didn’t fit any particular profile or stereotype, and his music seemed to draw what you might call “people who don’t dance at concerts” (and funny enough, I would classify myself as one of those), so there was a sort non-traditional connection between artist and fan – not so much seen, but felt. It seems that the James Blunt fan might be more of a devotee – quizzing the crowd up front, people started a line at 2:30 for the 7:00 doors show. With four studio albums under his belt (with the latest, last year’s Moon Landing serving as the theme for this tour), he seems to be doing well, and enjoying himself along the way.
Having sold tens of millions of albums around the world, singer-songwriter James Blunt will be making some stops in the U.S. this month in the midst of his world tour, showcasing his fourth studio album, Moon Landing, which came out late last year. [Read more…]
“…I thought, ‘you know, there’s no better translator of Black American Blues than a middle-class, 16 year old Australian white child’.” Part of Rick Springfield’s storytelling in-between songs, it was apparent early on that not only has he led an interesting life, but he has real depth as well as a self-deprecating sense of humor. Though he is best known for that one big 80s hit (“Jessie’s Girl”) and acting on General Hospital as Dr. Noah Drake, he is a great storyteller and certainly a real artist with some great music and a knack for bringing it alive in a special way in an intimate venue. The highlight of the night for me was his very personal rendition of “My Father’s Chair”, a song about the loss of his dad many years ago. It’s rare to see an artist connect with such a powerful song on stage, and present such vulnerability to an audience. This set of solo shows is definitely well worth checking out, and in many ways more compelling than the traditional, full band rock show, as Rick Springfield has a lot of storytelling in him, in both personal accounts from his life as well as his music.
2014 is shaping up to be a great year for fans of Rick Springfield, as he is kicking things off with his solo “Stripped Down” shows currently, and plans to take on Summer with a co-headling tour with Pat Benatar and Neil Giraldo. The former should be an opportunity to hear his classic songs in a different style and at more intimate venues, while the latter will team him up with one of the true female rock and roll icons of the 80s, Pat Benatar, as well as her husband, phenomenal guitarist Neil Giraldo, who famously recorded “Jessie’s Girl” with Rick Springfield at Sound City Studios, as recounted in the documentary put out by Dave Grohl last year (and in concert as Sound City Players). [Read more…]
Sascha Konietzko’s brain child, KMFDM (Kein Mehrheit Für Die Mitleid, loosely “no pity for the majority”), played its second concert in the past year at The Independent in San Francisco to a crowd of its devotees last night. One of the leading artists that helped to build the Industrial music scene in the 80s (though Sasha prefers “Ultra-Heavy Beat”), they are certainly one of the last from that era who continue to carry the torch for that genre of music. They have been quite prolific in the past three decades, with regular and continued touring and 18 studio albums, as well as being uncompromising in staying true to that particular format of music. Sascha has been the one constant with the German group, with a rotating roster of band members, though the current formation was hitting on all cylinders last night. They put on an excellent concert and I can’t imagine that any who found their way into the show went away disappointed. While never remotely a mainstream act, the fans that they have converted over the years are truly dedicated, with a much more substantive relationship with this band than is the norm. These concerts feel as though they serve as an escape as well as celebration among those who “get” the counter culture sound and viewpoint that KMFDM imagines and then delivers with its relentless beat.
The alternative/indie pop band from Minneapolis, Poliça, last week kicked off the North American leg of their world tour, which currently takes them into February of next year. Their latest album, Shulamith, was released to critical acclaim last month, and marks their second studio effort in as many years. [Read more…]
The Scottish synthpop group Chvrches is kicking off a massive world tour this month, beginning with a dozen dates in the United States before hitting the UK, Asia, Australia and New Zealand, and Europe. Their debut studio album, The Bones of What You Believe, debuted in September. [Read more…]