Roland Orzabal and Curt Smith’s English New Wave band Tears for Fears will be playing a select number of concert dates in the U.S. this month, which has caused quite a buzz among fans and anyone with a fondness for their many hit songs. They celebrated the 30th anniversary of their classic album, The Hurting, last year, and also recorded a cover of Arcade Fire’s “Ready To Start”. Tears for Fears will be kicking off this tour in Austin next week, following by a show in Oklahoma, a pair of shows in California (Northern and Southern), and a three-night showing at Project Pabst in Portland. Rock Subculture Journal last reviewed Tears for Fears back in 2012. [Read more…]
“We don’t do this one often… this is awful fast; it’s awful hard…” Huey Lewis of Huey Lewis and The News giving an intro and tribute to a song they rarely play live in concert, “Hip To Be Square”. He went on to explain to the crowd at Mountain Winery in Saratoga on Saturday night that San Francisco 49ers players Joe Montana and Ronnie Lott contributed backing vocals to the song, so were performing it to support their team. Having come off of their “Sports 30th Anniversary Tour” in 2013, they are still drawing large crowds with a mix of old and new material, which seems to change show to show. Whatever the setlist, they seem to have a lot of contagious fun, and their shows always have a family affair sort of vibe. As Huey introduced his band, he mentioned that he and drummer Bill Gibson even went to middle school together. I think the spirit of all that shines through in their music (recorded and live), and it’s pretty remarkable that those relationships can endure in the music industry, when I’ve seen it completely tear other bands apart (even blood family members). They always put on an amazing concert, and Mountain Winery always serves as an awesome host, overlooking the night lights of San Jose and Silicon Valley.
The show at Thunder Valley Casino Resort’s Outdoor Amphitheater Sunday night was continuing on in WorldOne Presents’ tradition of their annual “80s Rewind Festival Music Fest”, and arrived in Lincoln, California with it’s own unique line-up and variation on the newly christened Retro Futura Tour 2014 (formerly Regeneration Tour). With this event, the same co-headliners – Thompson Twins’ Tom Bailey and Howard Jones – shared the bill, as did Katrina Leskanich (formerly of Katrina and The Waves. But in place of Midge Ure and China Crisis was the incredible English Beat featuring Dave Wakeling. As usual, the show took on a character all it’s own, playing out to a large and enthusiastic crowd. I think the Katrina/English Beat/Howard Jones/Tom Bailey line-up featured artists that all have one thing in common: authentic optimism driving their music. Of course, the modern day ’10s are not the classic ’80s, and though the music played came from the past, it could also serve as a beacon of hope for the future. And, as with the show at Mountain Winery the night before, there seemed to be quite a reception for Tom Bailey, who stopped touring and performing live as Thompson Twins way back in 1987. It was another exceptional performance by all of the artists, and both shows are certainly on the short list for top concerts of the year for me personally.
I usually open my reviews with a quote from the headlining artist at a show… and I generally don’t care for audience sing-a-longs (I come to hear the artist, not drunk people that don’t know the lyrics). But Saturday night was a different, special sort of show with the perfect fans in attendance. Tom Bailey from the Thompson Twins hasn’t played live for over 25 years, and came out of retirement for the newly rebranded Retro Futura tour (which was previously operating as Regeneration Tour). I cannot emphasize enough how much I loved the Thompson Twins and their music growing up, and that I never imaged I would have an opportunity to see them perform live. So at Saturday night’s stop at Mountain Winery in Saratoga, following the awesome sets by Howard Jones, Midge Ure (of Ultravox) and Katrina Leskanich (Ex Katrina and the Waves), Tom Bailey and his fantastic new backing band absolutely blew away every expectation I had. It was as if, as a performer, he was in hibernation for the past quarter of a century and came out the same as he was in his prime to play this show. It was quite surreal. So getting back to that sing-a-long… the final song of the night was Thompson Twins’ “Hold Me Now” (which a friend of mine captured on video from the audience) and everyone in attendance was so elated to see that man performing in front of them. As the song came to an end, the entire audience was on their feet, singing the chorus. Tom looked moved by the whole thing, stopped singing in mic, pulled out his ear monitors, motioned for his band to join him at the end of the stage, and it all came to a close acapella. A beautiful thing, and I think a way for us fans to let him know that we still love him, love his music, and want him to stay. A perfect ending, and maybe new beginning. “Hold me now, warm my heart… stay with me, let loving start, let loving start…”
The Retro Futura Tour 2014 (renamed from prior years, previously known as Regeneration Tour) kicked off in New York City last week, and is heading westward. The tour this time around features Thompson Twins’ Tom Bailey (his first time playing live in 27 years), Howard Jones (who co-headlines last year’s tour), Katrina Leskanich (Ex Katrina and the Waves), Midge Ure (from Ultravox), and China Crisis. The group will be playing The Greek Theatre in Los Angeles on Friday, Mountain Winery in Saratoga on Saturday, and a different line-up with The English Beat featuring Dave Wakeling (in place of Ultravox and China Crisis) will be performing at the annual 80’s Rewind Music Fest by WorldOne Presents at Thunder Valley Casino Resort in Lincoln on Sunday. [Read more…]
“…I am extremely upset at losing Robin Williams – much more than I ever thought I would be when I first heard the news. It’s really hard to see someone with that kind of talent and love from all over the world destroy himself. And I’m not saying he’s wrong… I’m just saying it’s hard… So we pulled this song that you’ve probably heard before, because I think it is what I want to say to honor him tonight. This is for Robin.” A heartfelt and emotional intro by Terri Nunn of Berlin at City Winery Napa on Wednesday night, talking in a personal way about what has been on the minds of the masses around the world, as a preface to their special tribute cover of Duran Duran’s “Ordinary World”. All in all, it was a very intimate set, and probably the best I’ve seen them over the years. They have toured a bit more in 2014, in part to support their latest album, Animal. With their current sets comprised of a mix of old and new, it’s become more and more seamless as the rest of the band have made each of the classic songs their own over the years. And they are still full of surprises, last night playing “Like Flames” for the first time since 1987. They are one of my personal favorite live acts today, and each time I see them it inspires me to turn out for future shows.
“He had all these things there… Sandman comics… things like that…” Tori Amos, coincidentally playing in San Diego during Comic Con week, reminiscing about her brother (who was in attendance) back in the day, and the inspiration for her song, “Flying Dutchman”, which was third up on her phenomenal setlist at Humphrey’s Concerts by the Bay. This was my second show seeing the “Unrepentant Geraldines Tour” (having seen the show in Oakland on Monday night at the Paramount Theatre). As with that show, Tori is ever full of surprises, and the two shows were completely different on many levels. The most obvious being the venues, with the indoor, ornate, classy and historical Paramount Theatre having a certain sophistication, while the outdoor Humphrey’s Concerts by the Bay is more relaxed, with the unmistakable coastal air and open feeling sitting out under the stars. With the setlists from the respective shows sharing only three songs (opening with “Parasol”, closing with “Cornflake Girl” and having “16 Shades of Blue” in their encores), it was two very different shows in terms of the music as well. The show in San Diego was at least to some degree a celebration of “Under the Pink”, as it was highly represented in the song choice. I loved both shows, but I’d have to say – for me – my love for Oakland’s was on more of an intellectual level, while San Diego’s was because she played more of the songs I truly love (and if I had to pick any one song for her to play, it would be “Bliss”, and she totally killed it on stage at Humprey’s. One of those rare artists that has the ability to completely change up her show night to night, this is definitely one of the best tours of 2014.
“So this is one of your requests… I’ll see if we got this right.” Tori Amos in the “Lizard Lounge” section of her performance at the Paramount Theatre in Oakland last night, wherein on this “Unrepentant Geraldines Tour” she does a few covers suggested by fans. With Monday night’s show, the first was a kind of dark rendition of the Calvin Harris and Rihanna electro-house hit song, “We Found Love”. What? Tori Amos doing “We Found Love”? Yeah, I know the song well, but it took my thought process a few seconds to catch up with the familiar lyrics played out in such a different manner. As I settled into that incredible collision of techno pop and, well, however you might categorize what it is that Tori does, when she does her thing… I started imagining what might be the most amazing cover to hear from her following that. Immediately, I thought of “Tiny Dancer” (it has a special connection with my fiancé and I, and she was seated next to me in the orchestra pit for her first Tori concert)… So after finishing “We Found Love” on her electric keyboard, Tori spun around and found her way to the deeper keys on her Bösendorfer piano and started into the classic Elton John tune. I’ve seen, I would guess, thousands of artists live in concert – that was the first time I’d felt that maybe one read my mind. Very surreal moment, and maybe the coolest moment for me at any Tori Amos concert (and I’ve been to my fair share). She was certainly full of surprises last night, as a fan might see simply from taking a look at the set list, which had songs from her latest, Unrepentant Geraldines, going all the way back to her failed synthpop band, Y Kant Tori Read. With the new album and this current tour, Tori has certainly hit her stride both in the studio and on the road, and she’s always been one of those rare artists that is a master at both.
“Are we not in the desert? Where are we?” A bit of comic relief part way through The Go-Go’s set by Gina Schock, who as per tradition emerges from her drum kit at some point in the show to give us a bit of fun. And that is kind of at the heart of The Go-Go’s punky/poppy/surfy/beachy New Wave music, so what better a group to headline 2014’s newest 80s-centric tour, Replay America. Also on the bill is Patty Smyth from Scandal, Martha Davis from The Motels, and Pete Byrne from Naked Eyes. A real assortment of 80s hitmakers each took to the stage at Thunder Valley Casino Resort on Saturday night to take the crowd back about three decades to a real innovative time in music. Though there was a lot of music to be heard, things proceeded along quite quickly with the first three artists sharing a band (with some changes set to set), and a quick changeover for the aforementioned Go-Go’s, who closed out the night with a string of classic songs. Definitely a unique opportunity to catch many favorites in one sitting, and I know I thoroughly enjoyed each artist, only half of whom I’d seen live before (though I was already a fan of all four). Awesome show.
“I don’t know about you, but this seems like a peace and love city…” A quote from a real rock and roll legend, Ringo Starr, at the City National Civic in San Jose last night as the front man for Ringo Starr and His All-Starr Band. It seems to be a consistent and heartfelt message and sentiment from the former drummer for The Beatles, though he doesn’t really “front” the group of talented musicians that share the stage with him on his touring concert event so much as jam with them and turn the spotlight not only on their gifts as artists but also provides a platform with which to share their own music with fans. It was truly a spectacular concert on all levels Sunday night, with a collection of amazing artists, a superb setlist, and an excellent production (top quality sound and lights, etc.). Not only did Ringo Starr play his own music, new and old… so, too, did his friends, which include Steve Lukather, Gregg Rolie, Richard Page, Todd Rundgren, Warren Ham, and Greg Bissonette. I would rank it as one of the best shows I’ve been to in 2014, and really an honor to see such legends all play together on stage. They seemed to be having as much fun as the rest of us, and it was more like a glimpse into a two hour long jam session.